(um pecado, de Jesus)

(download)

FLAC

I. Something Wild in the City: Mary Ann's Theme (3:07)

II. "Jackson Pollock"

• 2. Signature (0:11)
  
• 3. Pollock Paints (1:05)
  
• 4. Shadow (0:20)
  
• 5. Detail of Paintings (0:57)
  
• [Interlude] (0:24)
  
• 7. Painting on Glass (1:22)
  
• 8. Painting on Glass (2nd Sequence) 2:31
  

III. Samoa (11:03)

IV. For Aaron Copland (5:23)

V. "The Sin of Jesus"

• 15. Cue I - Cue III Ending at A (2:30)
  
• 16. A (1:02)
  
• 17. Cue II, Very Soft (2:27)
  
• 18. Cue II A, Very Soft (0:24)
  
• 19. Cue IV - IV A, Very Soft (2:29)
  
• 20. Cue V Solo Cello (1:58)
  
• 21. Cue V A (0:48)
  
• 22. Cue VI (1:47)
  

VI. [Untitled Film Music]

• 23. Intro (1:05)
  
• 24. City (1:05)
  
• 25. Drinking Water (0:24)
  
• 26. Into Sheep Country (0:24)
  
• 27. Theme (1:04)
  
• 28. King-Cross Night (0:25)
  
• 29. The Park (0:44)
  
• 30. The Beach (1:34)
  
• 31. Last Shot (0:12)
  
• 32. Desert (1:10)
  

VII. De Kooning (12:02)

(Morton Feldman, "Philip Guston: The Last Painter," Art News Annual XXXI, 1966)

"That is the basic difference between Cage and Guston," Feldman continued. "Cage sees the effect, he ignores its cause. Guston, obsessed solely by his own causality, destroys its effect. They are both right, of course, and so am I. We complement each other beautifully. Cage is deaf, I am dumb and Guston is blind."